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September Reading

I’ve had a lot on my mind this month, which means I’ve been reading a lot to distract myself. Eight books! Some of them have been/will be reviewed at Debuts and Reviews, but I’m short on time, so I’ll add the links later. Anyway, here they are.

Shadow Fall, sequel to Shadow Bound by Erin Kellison, is one of those rare Katie-approved urban fantasies. With its ventures into the fey’s brooding and beautiful Twilight woods, the wolf stalking the beautiful ballerina, and one man’s quest to save her, it reads like a New York fairy tale. Reviewed on Debuts and Reviews.

Illusion by Paula Volsky is a sweeping epic set in a world strongly based on real-world history with strong echoes of the French and Russian revolutions. Some of the descriptive passages were a little long and I had to skim, but for the most part, it was a very interesting book, which follows a rich aristocratic girl’s descent as the world around her is thrown into chaos. It may be a little hard to find (I managed to find a used copy), but it’s worth a look. It also has a couple light steampunk elements.

Continuing Lauren Willig’s Pink Carnation series about spies in the Napoleonic era, I read The Temptation of the Night Jasmine (#5), The Betrayal of the Blood Lily (#6), and the forthcoming The Mischief of the Mistletoe (#7). (I love ARCs!) One of the great things about these books is thht beloved characters from previous novels still turn up in later books, though the protagonists never repeat. Another great aspect of the Pink Carnation series: You might think it would get old, reading about Napoleonic-era spies one volume after another, but it doesn’t. Changes in location, character, and adventures continue to keep the series fresh. Review forthcoming at Debuts and Reviews.

Mansfield Park is not as celebrated as other Jane Austen favorites like Pride and Prejudice, but like all her works, it is a fascinating study of human nature and romantic love. It didn’t find it as bitingly witty as her other works, btu that’s because sweet Fanny Price doesn’t have the nature to think such cutting things, even about the many people who do her so terribly wrong. Mansfield Park‘s highlight for me is a famed Austen quote which sums up her entire writing philosophy: “Let other pens dwell on guilt and misery.”

I’ve been awaiting The House on Durrow Street by Galen Beckett, sequel to The Magicians and Mrs. Quent, with nail-biting suspense since the day I first finished the first book a year and a half ago. Well, it’s finally here…and I’m not sure what I think of it. Parts of it are unsettling to my religious sensibilities, but even overlooking that, The House on Durrow Street just doesn’t have teh charm of its predecesor. With the latter, I was captivated from the first line, and completely engrossed in the promising (or so I thought) exchanges between Ivy and Rafferdy. I know it’s a little unfair to jusde the book’s worth against the one that came before rather than on its own merits, but then again, that’s just the way it is with a series; it can’t be helped. And with The House on Durrow Street, the witticisms are more sparse, and the gripping Ivy/Rafferdy storyline doesn’t exist. So it was a bit of a let-down for me. (But I still love Mr. Rafferdy.)

Steampunk in the Old West, a fantasy novel of Witches and Warlocks steaming cross-country by train, horse, and flying machine, and an artifact that may kill Emily Edwards–if the evil men chasing her don’t kill her first. M.K. Hobson’s debut novel The Native Star is a fantastic addition to the growing steampunk subhenre. It, too, unsettled by religious sensibilities, but only very slightly–a minor annoyance, nothing more. One of my complaints about several of the steampunk novels I’ve read has been that they lack the wonder and discovery I love in a speculative novel. But The Native Star captured all of that. I definitely recommend it. The American setting is such a breath of fresh air in a genre that’s so often inspired by England. I love England as much as the next person, but America is a great place to set a fantasy book, too!

I highly doubt I’ll be such a prolific reader in October, but regardless, I’ll be back for October Reading, and hopefully before.

PS: Sorry about any typos. I’m in a rush right now; will fix them later.

The House on Durrow Street: Almost Here!

If you’ve been following this blog or my reviews for any length of time, you probably know how utterly, deeply, insanely in love I am with the novel The Magicians and Mrs. Quent by Galen Beckett. Well, its sequel, The House on Durrow Street, comes out late this month, and in preparation, I have scoured the internet for any sort of news. I found jacket copy, an interview with the author about the fantasy genre, and a “review” from the infamous Harriet Klausner.

So maybe you don’t care, but I do!

Here’s the summary:

‘A charming and mannered fantasy confection with a darker core of gothic romance’ is how New York Times bestselling author Robin Hobb described Galen Beckett’s marvelous series opener, The Magicians and Mrs. Quent. Now Beckett returns to this world of dazzling magick and refined manners, where one extraordinary woman’s choice will put the fate of a nation – and all she cherishes – into precarious balance.

Her courage saved the country of Altania and earned the love of a hero of the realm. Now sensible Ivy Quent wants only to turn her father’s sprawling, mysterious house into a proper home. But soon she is swept into fashionable society’s highest circles of power – a world that is vital to her family’s future but replete with perilous temptations.

Yet far greater danger lies beyond the city’s glittering ballrooms – and Ivy must race to unlock the secrets that lie within the old house on Durrow Street before outlaw magicians and an ancient ravening force plunge Altania into darkness forever.

I will refrain from linking the Klausner review. :)

Sigh. If only I’d have thought to ask for a review copy sooner. If I asked now and got a yes, it probably would arrive the same time it hit bookstores anyway.

Maybe I’ll reread The Magicians and Mrs. Quent yet again to tide me over.

Summer Reading

As it’s been so long since I did a reading round-up, I’ll go light on the commentary this time.

Heart of Light by Sarah. A. Hoyt – Dragons, flying carpets, and an African secret society. Riveting, but the ending left a bitter taste in my mouth. So much so that I doubt I’ll try anything of hers again soon.

The Alchemy of Murder by Carol McCreary – First woman reporter Nellie Bly teams with Jules Verne, Oscar Wilde, and Louis Pasteur to catch a killer in Paris. My review.

Outlander by Diana Gabaldon – Reread. What a great book.

The Masque of the Black Tulip and The Seduction of the Crimson Rose by Lauren Willig – Napoleonic-era spies in love. These are crazy fun reads. My review of the series, books 1-4. Review of the rest of the series forthcoming.

The Perfect Poison by Amanda Quick – I’m more of a fantasy-with-romantic-elements reader than a romance-with-fantasy-elements fan. The magic in this book was really neat, but too much time was spent on the romance to develop the fantasy elements enough to suit my tastes. Just a personal preference.

Dragonborn by Jade Lee – A little too racy for my tastes, but interesting all the same. I met the author at RWA Nationals and just loved her. She’s so funny.

Shadow Bound by Erin Kellison – What if your father was what the world fears most? What if your father was Death? I’m not big on urban fantasy, but I really liked this. My review.

Insatiable by Meg Cabot – Paranormal chick lit. An unexpected (at least to me) combination which gives new meaning to the phrase, “You are what you eat.” Review forthcoming at Debuts and Reviews.

I promise not to make it so long between reading posts next time. So long!

Checking In

So it’s been forever since I posted anything, I know. Apologies! I just wanted to make an appearance. I’ll be reviving Monthly Reading soon with a Summer Reading post, to cover everything I’ve read between May and now. In September, there will probably be some squeeing and all-around excitedness, because that’s when The House on Durrow Street, sequel to The Magicians and Mrs. Quent, will be out. (!!!) I’ll also have one or two posts inspired by my time at the RWA National Conference soon, which was the best conference I’ve ever attended. It was great. But for now, I’m just here to say hi. So. Hi.

Technique and the Master Writer

In writing, we tend to think about craft in categories: plot, characterization, dialogue, description, and so on. Like any craftsmen, such is our training. To learn the mechanics of technique, we must learn each technique individually, just as artists learn color and symmetry separately.

But craft only becomes art when those techniques cease to be individual disciplines. You can teach plot and characterization as separate entities, but can you build a successful plot without building compelling characters? Can you create compelling characters without testing their mettle through the plot? A master writer blends his techniques together so that they become completely indivisible, almost impossible to distinguish from each other entirely.

So where do we fall on the craft hierarchy? And how can we reach the next step? Are we the eager apprentices, still learning individual techniques? The journeymen who have transitioned from technique mastery to creating our first masterpieces? Or are we the master craftsmen, with scores of publishing credits to our names?

And why does it matter where we stand? I suppose the name we put on our progress doesn’t matter…but our mindset does. When we’re still thinking of craft as puzzle pieces rather than blendable matter like paint, we still haven’t mastered the craft. And that’s okay. Mastery comes with application. That’s why so many authors have a stack of unpublished manuscripts. Practice novels.

Still, there’s something to be said for categorizing techniques. Breaking them apart allows us to delve deeply into such topics as pacing and narrative, understanding them more fully. We can’t become masters of the craft without such knowledge.

Not only that, but even a master writer must go back to these basics now and then. A true master knows that improving your craft is a process that never ends—one which is built on the foundation of individual techniques. Have you ever loved an author’s first two books only to be utterly disappointed in her fourth and fifth? Review is essential. Technique is an ongoing study.

It’s all about balance. Plot, characterization, dialogue, description: we seek to balance them in our novels the way painters seek balance on the canvas. The individual applications of color theory, symmetry, proportion, shape, and light come together not as puzzle pieces, but as a unified whole.

The master artist uses technique the way he uses paint—he mixes those basic colors together on his palette. We must do the same on the page.

We Interrupt This Blog Silence for a Post

Okay, here’s the deal. I’ve been freakishly, insanely busy. I had a funeral out of town in May (a very unexpected one), and I’ve been moving to a new house, working on a church fundraiser/theater event, planning my homeschool curriculum for next year, getting ready for the RWA conference…oh, and working on my novel. I still have no internet access at my new house (or phone, or gas, or television), so it hasn’t exactly been easy to get around to this blog. Much less check my email.

Yay. Life is fun.

But! I did sell another short story to Enchanted Conversation, for their upcoming mermaid issue. So that’s good news.

Once life is normal and internet access is once again available at home, I will post more regularly, I promise. I’ve missed blogging.

That is all. May the Force be with you!

The Facebook Writer’s Challenge

There’s only so much you can say in 420 characters. Or is there? Facebook is certainly an exercise in writing efficiency. If you have only a brief sentence to share, you won’t have a problem, but if you want to go on a bit longer, Facebook forces you to cut absolutely every nonessential word. It teaches you to write tight—a vital skill for writers. Which got me thinking. Which got me experimenting. And thus the Facebook Writer’s Challenge was born.

Take a chunk of text from your work-in-progress. A short paragraph or a few sentences—something that’s about 520 characters. (Your word processor’s word count feature should give a character count as well.) See if you can edit that passage down to 420 characters. Cut unnecessary words—even unnecessary sentences. Replace big words with smaller ones. Find anything that isn’t essential and cut ruthlessly.

Now take a look.

Many—even most—times, you’ll be shocked at how much cleaner and crisper your writing is…all without losing an ounce of your message. Other times, you’ll find that your words lose a little power in the cutting. But even at times like these, you’ll likely discover a few bits of flab that can go. A whole manuscript revision based on this technique with tiny chunks of text may be overkill, but it’s a great trick to use on sections where the pace lags or which feel overly-wordy. And it’s a great exercise to use regularly to keep in the habit of writing tight.

April Reading

A busy month! With the release of two of the three books I have eagerly anticipated in 2010 this month (on the same day, in fact), not to mention some free books from a writer friend of mine, I have had a veritable reading feast laid before me. I haven’t even finished all the books! But here are the ones I did read.

Before I got ahold of my The Darkly Luminous Fight for Persephone Parker ARC, I reread its predecessor, The Strangely Beautiful Tale of Miss Percy Parker by Leanna Renee Hieber. Since it’s not been long since I blogged about and reviewed Strangely Beautiful, I won’t say much about it here, only that it’s a Victorian ghost story with some very fresh twists, and that I loved it. Check out my review for more info.

As for The Darkly Luminous Fight for Persephone Parker, it is a worth sequel, complete with all the ghosts, gods, and ghastly apparitions of the first book. War between the spirit and mortal realms looms, threatening to take first London, then the world. And only Percy Parker can stop it, by traveling into the land of the dead. At times lovely, at times chilling, Darkly Luminous lives up to its name. (My review)

Since I was in rereading mood, I also pulled out The Magicians and Mrs. Quent by Galen Beckett again. I. Love. This. Book. Looooove it. I totally cannot wait for the sequel this fall. A comedy of manners, a romance, a mystery, and a dazzling fantasy tale, The Magicians and Mrs. Quent is a book I could read (have read) again and again. Now, Tia, supreme overlord of Debuts and Reviews, read it recently and wasn’t quite as enamored as I am, so you may want to get a less giddy opinion. Or if not, here’s my full review, posted last fall.

I tried another steampunk novel this month, one of the freebies I mentioned–The Alchemy of Stone by Ekaterina Sedia. Though beautifully written, it was a little melancholy for me. I’m still looking for my ideal steampunk novel, one which has all the wonder of a good old-fashioned fantasy book, except with steam engines and tophats. Still, The Alchemy of Stone was an engaging read. (Review forthcoming; I’ll update this page with the link when the review goes live.)

And last but not least! Lisa Shearin’s Bewitched and Betrayed came out this month, on the same day as Leanna Renee Hieber’s book. (Thank goodness I got that ARC of Darkly Luminous, or I’d have been beside myself trying to decide which to read first.) I have been waiting desperately for this book since finishing the previous one a year ago. Let me attempt to hook you with Bewitched and Betrayed‘s first line: “I was being chased by a pissed-off naked guy with a knife.” I mean, how could that line not hook you? (My review) So I am definitely looking forward to the next one, Con and Conjure, and even moreso to the one after that, because…

…I forgot to tell you that I won the contest! Yes, Lisa Shearin held a Name Raine Book #6 contest, and I won. So how exciting is that? In 2012, I will be able to walk into a bookstore, grab this book and a random stranger, and say, “You see this book? I named it.” Very awesome. (It’s called All Spell Breaks Loose, by the way.)

So that wraps up April Reading. But before I sign off, I wanted to alert you to a couple changes I’ve made to this site. I’ve posted a brief excerpt of my in-revision novel Hex (you can see it there on the sidebar; click “My Writing” to read my brief synopsis). Also, I finally managed to upload a photo to my “About” page. So. Look if you dare.

See you next time!

Regency Fantasy

The Regency era has come to fantasyland, sweeping demurely across the genre landscape. It did not explode the way urban fantasy did, nor slowly build up speed like the steampunk locomotive. Rather, it gently but firmly elbowed its way through the subgenre crowd with a, “Pardon me, if you please,” its steady rise reflecting the gentile manners of the era it represents. With Jonathan Strange and Mr. Norrell and Naomi Novick’s Temeraire books paving the way, the Regency era came into the fantasy scene, and it is here to stay.

Publishing is a fast-paced world full of fads and trends, but I don’t think this is one of them. Regency fantasy shows all the signs of lasting strength, perhaps even poised to fill the void left by Medieval fantasy’s decline as the genre’s next defining trait. Like the medieval era, the Regency is far enough in the past that it inspires a sense of wonder, and has all the grandeur and elegance of the Middle Ages’ castles and silk-clad queens. For thirty years, Medieval fantasy dominated the genre, and it left a wonderful legacy which will always be a part of the fantasy tradition. Though it is past its golden age, Medieval fantasy will endure. And now, I look ahead to the future of Regency fantasy and see a similar potential. Will Regency fantasy ever have the appeal that Medieval fantasy did? Will it stamp itself onto genre history and change fantasy forever? I think it’s possible, at least.

Certainly the Regency era left a lasting impact on the romance genre. It invoked a Regency revival, spurring new interest in Jane Austen, which in turn inspired Jane Austen mysteries and mainstream books. At the same time as all of this was taking place, fantasy was on the rise. More and more, fantasy ceases to be seen as the stuff nerds read between D&D campaigns and becomes recognized as a genre with much to offer. Readership within fantasy has grown…and many romance and mystery fans have been swept along with the tide—fans who just can’t seem to get their fill of Regency books.

Even non-fantasy readers have begun to associate the Regency era with speculative fiction, thanks to Pride and Prejudice and Zombies, which has been optioned for film. Jonathan Strange and Mr. Norrell garnered attention and readers who traditionally shy away from fantasy books. Though the public’s awareness of the Regency era within fantasy is still quite limited, it is sure to grow as more of these novels hit bookstore shelves.

At this early stage, it would be absurd to proclaim Regency fantasy as the certain coming king of the genre. It’s far too early to make such a claim about any of the many powerful subgenres in fantasy today. But I don’t think it’s too early to predict that Regency fantasy is a lasting trend, a rising tide, if you will. A number of novels have followed the pioneers of Regency fantasy, many of them series which will take several years to play out. No, I believe Regency fantasy is far from dying out. Rather, the number of frock-coated magicians is steadily on the rise.

Word Nerd News

A friend of mine recently posted this on Facebook, and I found it utterly fascinating:

“According to a rscheearch at Cmabrigde Uinervtisy, it dseno’t mtaetr waht oerdr the ltteres in a wrod are, the olny iproamtnt tihng is taht the frsit and lsat ltteer be in the rghit pclae. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe. If you can raed tihs, psot it.”

Isn’t it so amazing how our minds work?

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