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March Reading

Slightly belated, but better late than never! Here’s what I read in March.

Spellwright by Blake Charlton is a book for language lovers. Think sticks and stones can break your bones but words will never hurt you? Not in Charlton’s world. In Spellwright, not only can words break your bones, but they can chop off your limbs, stab your heart, and create all sorts of mayhem. It’s a fresh take on a classic genre plot, and gives new meaning to such words as “ghostwriting” and “purple prose.” An enjoyable read. (Read my full review here.)

And I read a historical fantasy set in medieval China, Dream of the Dragon Pool: A Daoist Quest by Albert A. Dalia. Incorporating Chinese myth and legend, Dalia’s fantasy adventure tells the story of a poet’s quest to find his muse. I had mixed feelings about this one, the details of which are hard to sum up in a one paragraph mini-review. Ultimately, I felt that while the story had potential, it had a very amateur feel. (My full review forthcoming at Debuts and Reviews; I’ll post the link when it goes up. UPDATE: Here it is.)

Anticipating the April release of Lisa Shearin’s fourth Raine Benares book, Bewitched and Betrayed, I also reread the previous book, The Trouble with Demons, this month. If you’re familiar with the series, you know that Raine is caught between two men and doesn’t know which one to choose. Rereading the book did little to help me decide which one to root for. It actually made it harder! That’s the mark of an author who knows how to write vivid characters. And the scene with Raine, Piaras, and Talon in the police station after creating demon-slaying mayhem is one of my favorites in the series.

That wraps it up for March. See you soon!

Blending Genres

So I’ve been reading a lot of genre-blending novels lately. And loving them. And my post from last week talks about genre-blending a little bit, but today I want to say a little more. (Apparently, I don’t know when to shut up.) Genre-blending gives us a lot to think about. There’s a reason publishing people will warn you to give it some serious thought before you do it, and not all of it is because it’s hard to shelve mixed genre novels in the bookstore.

Over the years, something I’ve learned about novel writing is that it’s all about focus and balance. Every word, sentence, paragraph, plot thread, and character must have a place in the story, and each element needs to be put in the proper focus. Some elements are vital, and these become the focal points of your novel. Other elements are secondary. They’re not the focus of the story, but they set a tone, give the story weight, and add richness to the novel. They hold the story up. And you have to balance your secondary elements with your focus points, or your story will fall apart.

Genres become elements that need proper focus and balance when you have more than one of them in your story. Think of them as plotlines. Generally speaking, you’re not going to have three main plots in a novel. One will be the main plot, and the other two will be subplots. The reason for this is that things can get overwhelming when all three plots are vying for dominance. I hesitate to give any hard and fast rules, since the rules can very occasionally be broken, but it’s usually better to make one plotline the focus, and the others are there for balance. And my observations lead me to believe it’s the same for genres within a book. If you’re going to write a historical fantasy romance, one of those genres needs to take the lead. Let that be your focal point. Let the historical and romance elements bring the reader more deeply into your fantasy tale. Let them be the weights that balance the main genre in your book.

For some real-world examples, here are three books that serve to illustrate my point. The Manual of Detection by Jedediah Berry, which I read last month, blends mystery and fantasy. Though the book is shelved in the fantasy section (a whole other discussion entirely), the fantasy elements are really just a subgenre holding up the main genre–the book is a mystery novel at heart. In Outlander by Diana Gabaldon, we have history, fantasy, and romance, but romance is the main plot. The Strangely Beautiful Tale of Miss Percy Parker by Leanna Renee Hieber is also history, fantasy, and romance, but if you take a good look, it is the fantasy aspect of the story which dominates the book.

Conventional wisdom from agents and editors often cautions against too much genre-blending. Is it completely related to trouble figure out where to shelve such a book? Publishing people see more unpublished manuscripts than you or I likely ever will. They must know something. They must know how often fledgling authors botch their genre-blending tales. For genre-blending to work, you need balance, focus. You need to be blending genres because the genres you’re blending have a place in your plot, not just because you think it would be cool to blend genres. After careful analysis of mixed genre books, I’ve come to believe that choosing a dominant genre to center the book around–and relegating others to supporting roles–is a tried and true approach to writing a successful genre-blending novel.

I’m not saying it’s the only way. I’m not saying I’m an expert on such things. Just making an observation.

February Reading

In this editon of Monthly Reading: An early novel from fantasy superstar Glen Cook, the rereading of a classic, a modern and monster-filled retelling of said classic, and a detective steampunk debut novel. Here we go!

Glen Cook has had a prolific career in writing fantasy books, and my husband and I are both fans of his Black Company series. So it was interesting to read The Swordbearer, one of his earliest books. Interesting because it was so far removed from the skill shown in his later books. I mean, how cool is it as an aspiring author down here in the trenches to see such a respected author’s growth, to see this reminder that the more you write–even after you’re published–the better you get? Although the story itself was a disappointment, it was just amazing to see how greatly Cook’s writing improved in time, with dedication and study, with the diligence to keep writing new books–to keep looking forward rather than reworking the same book over and over again (a common mistake, and one I’ve been guilty of in the past myself). In a weird sort of way, it was inspiring. (My full review of The Swordbearer is here.)

There’s not a lot I can say about Sense and Sensibility by Jane Austen that hasn’t been said already. It’s a classic. And it has always been my favorite of Austen’s books. What is it that makes a book a favorite? A character you can relate to, people who seem real. In Sense and Sensibility, Elinor and Marianne remind me so much of my sister and I (except that my sister has none of Marianne’s fondness for books). That’s why I love it so much.

And my inspiration for rereading Sense and Sensibility this month was my desire to read…Sense and Sensibility and Sea Monsters by Jane Austen and Ben H. Winters. I could just go on and on about this book. Suffice it to say that far from ruining Austen’s clever prose, the startling contrast of manners and monsters makes her social commentary even more biting. It sticks with the original plot–the Dashwood sisters’ trials in love–but inserts hammerhead shark attacks, oversized jellyfish, and an enchanting undersea city encased in a dome of glass. Winters’ writing masterfully captures Austen’s own style so that his additions fit into the text almost seamlessly. (My full review of Sense and Sensibility and Sea Monsters is here. Also, be sure to check out the article link provided in the review. It’s pretty fascinating, says me.)

The Manual of Detection by Jedediah Berry is a noir-style steampunk mystery in which reality and its mirrors and shadows blend–where the truth is cast in reflections as distorted as those ina carnival funhouse, and where a clerk who has mysteriously been made a detective must sort it all out. This is such a well-plotted and well-written novel. I just could not put it down! It’s a debut novel, but Jedediah Berry is already a master of suspense. (I didn’t review this one myself, but this review prompted me to buy The Manual of Detection.

I’m never completely sure of all the books I’ll be reading in any given month (who is?), but I’ll be reading the debut fantasy novel Spellwright in March for sure. So stick around for next month’s Monthly Reading, or look for the review at Debuts and Reviews. See you soon!

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